Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Philip IV as a Hunter oil


Philip IV as a Hunter
Painting ID::  772
Philip IV as a Hunter
1634-36 Museo del Prado, Madrid
1634-36_Museo_del_Prado,_Madrid
   
   
     

Diego Velazquez Juan de Pareja oil


Juan de Pareja
Painting ID::  773
Juan de Pareja
1650 Metropolitan Museum of Art, New York
1650_ Metropolitan_Museum_of_Art,_New_York
   
   
     

Diego Velazquez The Medici Gardens in Rome oil


The Medici Gardens in Rome
Painting ID::  774
The Medici Gardens in Rome
1650 Museo del Prado, Madrid
1650_ Museo_del_Prado,_Madrid
   
   
     

Diego Velazquez Prince Balthasar Carlos as a Hunter oil


Prince Balthasar Carlos as a Hunter
Painting ID::  775
Prince Balthasar Carlos as a Hunter
1635-36 Museo del Prado, Madrid
1635-36 _Museo_del_Prado,_Madrid
   
   
     

Diego Velazquez Portrait of Philip IV of Spain in Brown and Silver (mk08) oil


Portrait of Philip IV of Spain in Brown and Silver (mk08)
Painting ID::  21496
Portrait of Philip IV of Spain in Brown and Silver (mk08)
1631-1632 Oil on canvas 199.5x113cm London,National Gallery
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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